I’m Kevin Gandy, a director with experience in sports broadcasting, church production and television at TBN. I also operate cameras and switch productions on Grass Valley Kayenne switchers.
Live production is my focus. I also develop practical tools with AI, using my production experience to guide the ideas, features and interface.
Eleven minutes of camera work across live and produced environments: ENG rigs, gimbals, Steadicam-style systems, mirrorless, and studio positions.
A selection of my production work and the tools I’m developing around it.
At TBN, I work as a director, technical director, playback operator and camera operator. My work also includes prompting and troubleshooting.
At First Roanoke, I led Sunday live productions of Experience First and set up livestreaming services. I equipped our team of volunteers to run cameras and direct shows.
LiveStack is in development to help operators find relevant B-roll and prepare graphics headlines. The portfolio demo is a simulated walkthrough.
PARM brings scheduling, technical details, director and EIC assignments, assets and studio status into one workspace. It’s in beta use where I work.
I put together the AI playground so you can interact with the tools I’m working on and try them for yourself.
The demos offer a closer look at the workflows behind these projects. I come up with the ideas, shape the features and interface, and test how useful the tools are in practice. AI builds, refines and brainstorms with me.
A real shoot plan you can work in: a song chart, its reference clip, and notes anchored to the line and timecode they belong to.
A hands-on preview of the asset library, calendar views, and production dashboard.
A simulated master control walkthrough using canned audio and sample B-roll data: script follower, ad hub, playback ops, and graphics ops.
A guided walkthrough of the shared context notebook the agents write into while the other three get built.
Experience on camera and in the control room helps me troubleshoot and explain what I need from the crew.
I stay calm, make quick decisions and treat people respectfully when a show gets stressful.
I test the execution, flow and usefulness of a tool as it develops.
Replay lead, audio lead, technical directing, directing, and camera across live college sports.
Producing and directing multi-camera livestreams for events across Virginia.
Expanded an existing livestream, led Sunday live productions, and equipped volunteers.
Production associate and director on national programs, working every station in the room.
PARM, LiveStack AI, and human-guided workflows built from live production pressure points.